Here is a peek into my art practice!

My art practice is central to who I am; I feel most fully myself when I am making art. Practicing art allows me to learn about myself, the world around me, and how to exist as myself in such a world. My art reflects and informs my approach to many other things, like research and life in general—read my small ramble on the universality of creative process below for more.

Below are some of the things I've made.

A hanging painted bunny in a grove.
Lepus californicus
~4' x 4'; acrylic & gesso on hardboard + plywood, hardware. Commission for Frost Arts and Music Festival in 2023.
A scratchboard with many subjects, including a baby riding a fish, Pokemon, a woman in a tiger's mouth, and people standing on a giant turtle.
Apex predator
8" x 11", scratchboard.
A painting of a three-headed French bulldog in a forest.
Cerberusoju, Guardian of the Enchanted Broccoli Forest
2' x 3', acrylic & acrylic gloss on canvas.
A sketch of a person getting a haircut in pen and marker.
Haircut
Marker and pen in a 2022 sketchbook.
A painting of a woman's face, making a pained expression.
Untitled
Oil on canvas, after a photo by Bruce Gilden.
A pencil drawing in a sketchbook. The upper panel has hands drawing a diagram. The lower panel shows a man adjusting a paper beneath a projector.
STATS 315B
Graphite on paper, from screenshots of a Zoom class. Pictured is Prof. Jerome Friedman.

The generality and universality of creative process

My creative process is the same no matter what medium I am working in.

When making a big painting or starting a research project or casting on a knitting project: first, there is the open-ended, idea generation phase. This phase is exciting but full of ambiguity; it is a search over the space of ideas for the ones which suit the constraints and my tastes. I like to move (walking, dancing, scribbling) while I think, preferably outside. This usually goes best when the body is comfortable and relaxed, when the mind is relatively uncrowded. Here, playfulness and a bit of whimsy are essential.

Next, sketching. Since my background is in drawing, I always start with pencil sketches even if I plan to work the final piece as a painting, sculpture, or textile. The sketches start out as small compositional thumbnails and get progressively larger and more detailed. For research and writing, I like to make outlines, which are usually undirected graphs first before becoming bullet points.

Then, implementation. In this phase, inevitably the making will feel like work. There will be setbacks and victories as the final image slowly comes into focus; hopefully the core underlying insight or idea will be revealed, but only through sustained effort, like chipping away at stone. This phase is the longest, and is the most about self-discipline, persistence, flexibility, and not letting the inevitable “What am I even doing here?” win. Here it is important to constantly take a step back (literally and metaphorically) and look from afar, and let the medium and the piece-in-progress guide itself away from the initial plan. My best artworks happened when I surrendered some of my agency to the medium I was working in, allowing for example a stray mark to assert a new, unplanned, form. My best research happened when I investigated questions that arose naturally over the course of the project rather than the ones I’d initially planned on asking.

Finally, polishing and documentation. Here we add the final highlights in white ink, tweak the x-labels on those graphs, fuss about word choice, bold the significant p-values: all with composition in mind. Here the goal is to best highlight the focal points, blurring and de-emphasizing details which detract from the final idea.

And then—repeat. Art practice is about practice, after all. Each project is its own journey, its own lesson, but the creative process is universal. So, when I practice artmaking and deepen my understanding of this process, I enrich my capacities in all of these other areas (mediums) as well: research, writing, living. Seeing myself mature over time as an artist and as an individual through my art—over the course of my sketchbooks, paintings, silly little crafts—is immensely empowering. Seeing how far I’ve come makes me excited to keep going. This is what I love most about art.